Jada Kingdom breaks rules with bold new EP

Jada Kingdom has never been interested in playing by anyone else's rules. Today, the Jamaican star releases her most fearless and conversation-shifting project to date, ' Just A Girl In A Money Man's World', out now independently via her imprint Kingdom Mab.

The six-track EP captures a woman fully aware of the systems that shape modern life -- money, desire, power -- and confident enough to move through them on her own terms.

Rather than rejecting or romanticising these dynamics, Jada examines them closely, challenges their limits, and bends them in her favour.

Rooted in Caribbean storytelling but informed by global sound and culture, the project positions her not as a participant reacting to the conversation, but as a force actively shaping it.

Just A Girl In A Money Man's World traces an arc from awareness to agency, using musical history as dialogue rather than nostalgia. The opening track, Still Searching, reimagines a 2001 Damian Marley classic with quiet reflection, signalling discernment and preparation.

That introspection flips into command on Maxine, inspired by Chaka Demus & Pliers' 1992 dancehall staple Murder She Wrote, one of the genre's most enduring records.

Confidence sharpens into boundaries on Don't Talk To Me, produced by Di Genius and built around a I Just Wanna Love U (Give It 2 Me) sample by The Neptunes and Jay-Z. Here, surface-level bravado is dismissed outright, making space for substance and self-respect.

Jada then disarms entitlement with humour and pop-forward ease on NTN But PumPum, a synth-pop moment born from a viral livestream exchange that highlights her balance of wit, control, and accessibility.

The emotional stakes deepen on Soul For Sale, the EP's darkest turn. Stripping away playfulness in favour of tension and vulnerability, the track leans into a moody, emo-tinged dancehall sound, asserting that emotional exposure here is chosen, not imposed.

The project closes with G.A.D, the widely discussed title track in which Jada coins the phrase Just A Girl In A Money Man's World and names the environment she has mastered rather than escaped. The song has emerged as a defining moment in her catalogue, earning widespread critical acclaim.

Billboard praised its sharp fusion of dancehall and alternative pop, while Stereogum highlighted its Y2K-inspired digital guitar line and early-2000s pop sensibility.